{"id":3529,"date":"2019-04-17T10:20:19","date_gmt":"2019-04-17T14:20:19","guid":{"rendered":"http:\/\/www.caryplaywrightsforum.org\/?p=3529"},"modified":"2019-04-18T13:37:42","modified_gmt":"2019-04-18T17:37:42","slug":"master-class-series-two-directing-workshops","status":"publish","type":"post","link":"https:\/\/www.caryplaywrightsforum.org\/?p=3529","title":{"rendered":"Master Class Series: Directing Technique: Working with Actors"},"content":{"rendered":"

Directing Technique: Working with Actors<\/h3>\n
\n
Learn how to direct a long scene or 10-minute play.<\/span><\/div>\n<\/div>\n
\n
Hands-on practice includes taking text through readthrough,<\/span><\/div>\n<\/div>\n
\n
blocking, working internal beats, and run-throughs.<\/span><\/div>\n<\/div>\n
\n
Recommended for participants with prior<\/span><\/div>\n<\/div>\n
\n
directing or other theater experience.<\/span><\/div>\n<\/div>\n
\n
Instructor: Fred Corlett (Burning Coal Theatre Company member and MFA – bio below)<\/span><\/div>\n<\/div>\n
\n
Fees: $55 (Resident & Non-resident) (3 classes)<\/span><\/div>\n<\/div>\n
\n
\n
\n
125017 Mon, Wed, Fri Jul 29\u2013Aug 2, 7:30\u20139:30 p.m.<\/span><\/div>\n<\/div>\n
<\/div>\n<\/div>\n
—————————–<\/div>\n<\/div>\n

For both classes:<\/p>\n

Register here: https:\/\/www.townofcary.org\/recreation-enjoyment\/programs-classes<\/a><\/p>\n

\n
May 6\u2014Cary residents may register<\/span><\/div>\n<\/div>\n
\n
May 20\u2014Non-residents may register<\/span><\/div>\n<\/div>\n

===============================================<\/p>\n

FRED CORLETT\u2019S BIO:<\/p>\n

My theatre career began in 1965, as a junior at Broughton High School, where I played Chief Sitting Bull in the Rogers and Hammerstein musical ANNIE GET YOUR GUN.\u00a0 That began a history of playing non-singing roles in musicals.\u00a0 While still in high school I became a fixture at the Raleigh Little Theatre where I learned the ancient and hallowed traditions of the theatre.\u00a0 I learned about tech.\u00a0 I built sets, hung lights, and pulled curtains (remember them?).\u00a0 I would eventually act in, or direct, 18 productions (under 8 different directors) over a 50 year period for RLT \u2013 the greatest training ground anyone could wish for.<\/p>\n

In 1968 I served an Equity Apprenticeship at the State Theatre of N.C. called the Vagabond Playhouse, in Flat Rock.\u00a0 I built 10 sets that summer, and played Paris in ROMEO AND JULIET, and the Tin Man in THE WIZARD OF OZ.<\/p>\n

From 1967 to 1971 I worked in the BFA program in Dramatic Art at UNC \u2013 Chapel Hill, specializing in directing.\u00a0 Haskell Fitzsimmons and I were the first BFA directing majors to graduate from UNC.\u00a0 I returned to Raleigh for 4 years where I performed at RLT and the new Theatre in the Park.\u00a0 TIP produced original productions every year, mostly written by the director, David Wood.\u00a0 I was in 2 original productions there, both directed by the playwright (one of whom was to become Broadway star Terence Mann).\u00a0 I also directed the first of 2 productions I would direct for RLT.<\/p>\n

In 1976 I returned to Chapel Hill and earned an MFA in directing in 1978.\u00a0 Haskell would get the same degree a year later, and become the\u00a0 Artistic Director for RLT for 30 years (directing me in 3 productions).\u00a0 It was while working on my MFA that I directed my first production where the playwright was present for rehearsal.\u00a0 It was not always amicable.<\/p>\n

Immediately after graduation I joined the N.C. Visiting Artist Program, co-sponsored by the N.C. Arts Council and the N.C. Community College System.\u00a0 I did paid residencies at Anson Community College and Rowan Community College.\u00a0 I followed this with a residency in the Artist in the Schools Program in Franklin, N.C.\u00a0 There I directed 20 one-act plays in one semester at the High School in addition to creative drama workshops at the Middle School.<\/p>\n

During the 4 summers between those residencies I stage managed the Outdoor Drama UNTO THESE HILLS on the Cherokee Reservation.<\/p>\n

From 1983 \u2013 1986 I lived in New York City, where I stage managed 10 shows, acted in 2, and directed one.\u00a0 Both shows I was in were directed by the playwright.<\/p>\n

In 1986 I moved to Concord, N.C. where I designed lights, acted, and taught acting at The Old Courthouse Theatre.\u00a0 In 1989 I moved to Cleveland, N.C. and acted for the Piedmont Players in Salisbury, and directed for the Statesville Little Theatre.\u00a0 In 1993 I moved back to Raleigh and continued to act and direct at the 2 excellent community theatres.<\/p>\n

In 2008 I would begin working at The Burning Coal Theatre, which is an Equity house, and has become my theatrical home.\u00a0 Two of the plays I performed in there were original, and the playwrights were able to attend rehearsals.\u00a0 They were professionally directed by 2 of the best directors I have ever worked for, and the symbiosis was extraordinary.\u00a0 I have also directed 3 shows there with the playwrights in residence, one of which required several hours of discussion over multiple days to hammer out a common vision.\u00a0 I continue to be a member of the Artistic Company, and will be acting in the first play of the 2017\/2018 season.<\/p>\n

At about the time I started working with Burning Coal I directed an independently produced original play at the Common Ground Theatre in Durham in which the playwright attended most rehearsals.\u00a0 I respected his work,\u00a0 and he frequently acquiesced to my interpretation.\u00a0 We remain good friends to this day.<\/p>\n

\"\"\u00a0(that’s Fred on the left!)<\/p>\n","protected":false},"excerpt":{"rendered":"

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Hands-on practice includes taking text through readthrough, blocking, working internal beats, and run-throughs. Recommended for participants with prior directing or other theater experience. Instructor: Fred Corlett (Burning Coal Theatre Company member and MFA – bio below) Fees: $55 (Resident &…","jetpack_shortlink":"https:\/\/wp.me\/p2P9Iu-UV","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.caryplaywrightsforum.org\/index.php?rest_route=\/wp\/v2\/posts\/3529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.caryplaywrightsforum.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.caryplaywrightsforum.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.caryplaywrightsforum.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.caryplaywrightsforum.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3529"}],"version-history":[{"count":3,"href":"https:\/\/www.caryplaywrightsforum.org\/index.php?rest_route=\/wp\/v2\/posts\/3529\/revisions"}],"predecessor-version":[{"id":3916,"href":"https:\/\/www.caryplaywrightsforum.org\/index.php?rest_route=\/wp\/v2\/posts\/3529\/revisions\/3916"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.caryplaywrightsforum.org\/index.php?rest_route=\/wp\/v2\/media\/3530"}],"wp:attachment":[{"href":"https:\/\/www.caryplaywrightsforum.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.caryplaywrightsforum.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.caryplaywrightsforum.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}