{"id":3130,"date":"2017-07-09T23:17:31","date_gmt":"2017-07-10T03:17:31","guid":{"rendered":"http:\/\/www.caryplaywrightsforum.org\/?p=3130"},"modified":"2017-07-18T15:40:15","modified_gmt":"2017-07-18T19:40:15","slug":"directing-for-writers-workshop","status":"publish","type":"post","link":"https:\/\/www.caryplaywrightsforum.org\/?p=3130","title":{"rendered":"\u201cDirecting for Writers\u201d workshop"},"content":{"rendered":"

Master Class Series: \u201c<\/span>Directing for Writers\u201d workshop (age 16 & up) –\u00a0 Saturdays Sep 9\u201330, noon-2 p.m.<\/span><\/p>\n

Explore potential pitfalls and opportunities that exist in the collaboration between director and playwright and how to create a rewarding collaboration for both parties. Includes \u201chands-on\u201d practicum culminating in a staged reading of new work from our recent writing classes. <\/span><\/p>\n

Burning Coal Theatre Company member and MFA Fred Corlett instructs (bio below).<\/span>
\n<\/span>
\n<\/span>Location: Cary Arts Center (101 Dry Ave, Cary, NC 27511)<\/span>
\n<\/span>Fees: $50 (4 classes) – registration will be available Aug 7 (Cary residents – otherwise Aug 21) through the\u00a0Town of Cary programs<\/a>\u00a0(class #106926)<\/span><\/p>\n

===============================================<\/p>\n

FRED CORLETT’S BIO:<\/p>\n

My theatre career began in 1965, as a junior at Broughton High School, where I played Chief Sitting Bull in the Rogers and Hammerstein musical ANNIE GET YOUR GUN.\u00a0 That began a history of playing non-singing roles in musicals.\u00a0 While still in high school I became a fixture at the Raleigh Little Theatre where I learned the ancient and hallowed traditions of the theatre.\u00a0 I learned about tech.\u00a0 I built sets, hung lights, and pulled curtains (remember them?).\u00a0 I would eventually act in, or direct, 18 productions (under 8 different directors) over a 50 year period for RLT – the greatest training ground anyone could wish for.<\/p>\n

In 1968 I served an Equity Apprenticeship at the State Theatre of N.C. called the Vagabond Playhouse, in Flat Rock.\u00a0 I built 10 sets that summer, and played Paris in ROMEO AND JULIET, and the Tin Man in THE WIZARD OF OZ.<\/p>\n

From 1967 to 1971 I worked in the BFA program in Dramatic Art at UNC – Chapel Hill, specializing in directing.\u00a0 Haskell Fitzsimmons and I were the first BFA directing majors to graduate from UNC.\u00a0 I returned to Raleigh for 4 years where I performed at RLT and the new Theatre in the Park.\u00a0 TIP produced original productions every year, mostly written by the director, David Wood.\u00a0 I was in 2 original productions there, both directed by the playwright (one of whom was to become Broadway star Terence Mann).\u00a0 I also directed the first of 2 productions I would direct for RLT.<\/p>\n

In 1976 I returned to Chapel Hill and earned an MFA in directing in 1978.\u00a0 Haskell would get the same degree a year later, and become the\u00a0 Artistic Director for RLT for 30 years (directing me in 3 productions).\u00a0 It was while working on my MFA that I directed my first production where the playwright was present for rehearsal.\u00a0 It was not always amicable.<\/p>\n

Immediately after graduation I joined the N.C. Visiting Artist Program, co-sponsored by the N.C. Arts Council and the N.C. Community College System.\u00a0 I did paid residencies at Anson Community College and Rowan Community College.\u00a0 I followed this with a residency in the Artist in the Schools Program in Franklin, N.C.\u00a0 There I directed 20 one-act plays in one semester at the High School in addition to creative drama workshops at the Middle School.<\/p>\n

During the 4 summers between those residencies I stage managed the Outdoor Drama UNTO THESE HILLS on the Cherokee Reservation.<\/p>\n

From 1983 – 1986 I lived in New York City, where I stage managed 10 shows, acted in 2, and directed one.\u00a0 Both shows I was in were directed by the playwright.<\/p>\n

In 1986 I moved to Concord, N.C. where I designed lights, acted, and taught acting at The Old Courthouse Theatre.\u00a0 In 1989 I moved to Cleveland, N.C. and acted for the Piedmont Players in Salisbury, and directed for the Statesville Little Theatre.\u00a0 In 1993 I moved back to Raleigh and continued to act and direct at the 2 excellent community theatres.<\/p>\n

In 2008 I would begin working at The Burning Coal Theatre, which is an Equity house, and has become my theatrical home.\u00a0 Two of the plays I performed in there were original, and the playwrights were able to attend rehearsals.\u00a0 They were professionally directed by 2 of the best directors I have ever worked for, and the symbiosis was extraordinary.\u00a0 I have also directed 3 shows there with the playwrights in residence, one of which required several hours of discussion over multiple days to hammer out a common vision.\u00a0 I continue to be a member of the Artistic Company, and will be acting in the first play of the 2017\/2018 season.<\/p>\n

At about the time I started working with Burning Coal I directed an independently produced original play at the Common Ground Theatre in Durham in which the playwright attended most rehearsals.\u00a0 I respected his work,\u00a0 and he frequently acquiesced to my interpretation.\u00a0 We remain good friends to this day.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Master Class Series: \u201cDirecting for Writers\u201d workshop (age 16 & up) –\u00a0 Saturdays Sep 9\u201330, noon-2 p.m. Explore potential pitfalls and opportunities that exist in the collaboration between director and playwright and how to create a rewarding collaboration for both parties. Includes \u201chands-on\u201d practicum culminating in a staged reading of new work from our recent […]<\/p>\n","protected":false},"author":3,"featured_media":3132,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-3130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cary-playwrights-forum"],"yoast_head":"\n\u201cDirecting for Writers\u201d workshop - The Cary Playwrights' Forum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.caryplaywrightsforum.org\/?p=3130\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cDirecting for Writers\u201d workshop - The Cary Playwrights' Forum\" \/>\n<meta property=\"og:description\" content=\"Master Class Series: \u201cDirecting for Writers\u201d workshop (age 16 & up) –\u00a0 Saturdays Sep 9\u201330, noon-2 p.m. Explore potential pitfalls and opportunities that exist in the collaboration between director and playwright and how to create a rewarding collaboration for both parties. 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