{"id":5911,"date":"2023-09-12T17:58:11","date_gmt":"2023-09-12T21:58:11","guid":{"rendered":"https:\/\/www.caryplaywrightsforum.org\/?page_id=5911"},"modified":"2023-10-28T19:33:09","modified_gmt":"2023-10-28T23:33:09","slug":"coming-back-for-me-audience-review","status":"publish","type":"page","link":"https:\/\/www.caryplaywrightsforum.org\/?page_id=5911","title":{"rendered":"Coming Back for Me &#8211; Audience Review"},"content":{"rendered":"<p>On behalf of Kurt Benrud, we are proud to receive something unprecedented &#8211; an unsolicited review from an inspired audience member!<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Doug Deaton&#8217;s review of<\/strong><\/h2>\n<h2><strong>The Cary Playwrights&#8217; Forum production of Coming Back for Me by Amy da Luz<\/strong><\/h2>\n<p>Really liked \u201cComing Back For Me\u201d by Cary Playwrights\u2019. \u00a0\u201cUnqualified Excellence\u201d I told Michael Parker, the director.\u00a0 Superb playwriting. I also enjoyed the <a href=\"https:\/\/www.youtube.com\/watch?v=uZ9smERpVx8\" target=\"_blank\" rel=\"noopener\">Interview with the playwright, Amy da Luz, on YouTube<\/a>. Obviously, quite a bit autobiographical.<\/p>\n<div><\/div>\n<div><\/div>\n<div><strong>The Performances<\/strong><\/div>\n<div><\/div>\n<p>Acting and actor interaction were over-the-top. Melanie Simmons portrayed superlatively and consistently her desires and torment not just with her lines but also by bringing forth the internal emotional torment she was experiencing. After the show she looked a bit drained, and I can believe it. Superlative to use the term twice.<\/p>\n<p>Award for best acting for portraying a character she is not:\u00a0 Xenon Winslow (who plays a 14-year old kid)! Worthy of an award at any level of theatre. Most other roles, I thought, required the actors not to have to do a major deviation from their non-stage personalities.<\/p>\n<p>Shasta (Akili Holder-Cozart) remained beautifully constant, providing a consistent touch of humor to offset this relatively heavy drama which might, otherwise, take the audience down.<\/p>\n<p>Arlene (Joanna Herath) also added delightful comedy.<\/p>\n<div><\/div>\n<div><\/div>\n<div><strong>The Design<\/strong><\/div>\n<div><\/div>\n<p>Effectiveness of sound with music and background noise at a subtle but effective level I have not experienced around here.\u00a0 Well, the car horns weren\u2019t so subtle.<\/p>\n<p>Cute little staging effects. The character Shasta was actually drinking a Shasta ginger ale!\u00a0 After the show, she said it actually zinged her nose once but she perfectly included the grimace into her act.<\/p>\n<p>With intermission\u2014over two hours\u2014but I never experienced time fatigue.\u00a0 There were a lot of set changes, but done in near darkness so they did not bother me.\u00a0 The play requires so many different situations over short and long time periods and settings.\u00a0 They provided the credence to believe the psychological transformations taking place, \u00a0or not (in the case of the husband, and of the supervisor which played excellent counterpoints to the lead and her son\u2019s transformations).<\/p>\n<div><\/div>\n<div><\/div>\n<div><strong>Final Thoughts<\/strong><\/div>\n<div><\/div>\n<p>I have said before many times (probably learned from the life of my musician son) that if a person has true artistic talent inside them, it must be nourished in order for them to thrive; otherwise, they will be miserable.<\/p>\n<p>This play succeeds in making that point!<\/p>\n<p>P.S. I liked that the playwright made it clear that the supernatural was a \u201cthey\u201d.<\/p>\n<div><\/div>\n<h3>By Doug Deaton<\/h3>\n<p>&nbsp;<\/p>\n<h2>SPECIAL THANK YOU<\/h2>\n<p>The Cary Playwrights&#8217; Forum is supported by the United Arts Council of Raleigh and Wake County, as well as the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5927\" data-permalink=\"https:\/\/www.caryplaywrightsforum.org\/?attachment_id=5927\" data-orig-file=\"https:\/\/i0.wp.com\/www.caryplaywrightsforum.org\/wp-content\/uploads\/2023\/09\/logo02UnitedArtsCouncilv2brushstrokesxlarge-scaled.jpg?fit=2560%2C872&amp;ssl=1\" data-orig-size=\"2560,872\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;logo-UnitedArtsCouncil-v2brushstrokes&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"logo-UnitedArtsCouncil-v2brushstrokes\" 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Benrud, we are proud to receive something unprecedented &#8211; an unsolicited review from an inspired audience member! &nbsp; Doug Deaton&#8217;s review of The Cary Playwrights&#8217; Forum production of Coming Back for Me by Amy da Luz Really liked \u201cComing Back For Me\u201d by Cary Playwrights\u2019. \u00a0\u201cUnqualified Excellence\u201d I told Michael Parker, [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-5911","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Coming Back for Me - Audience Review - The Cary Playwrights&#039; Forum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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